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Original Usenet thread from alt.ascii-art, started 19 May 1994.
 _   _                     _        _             _     _           
| | | |___  ___ _ __   ___| |_     / \   _ __ ___| |__ (_)_   _____ 
| | | / __|/ _ \ '_ \ / _ \ __|   / _ \ | '__/ __| '_ \| \ \ / / _ \
| |_| \__ \  __/ | | |  __/ |_   / ___ \| | | (__| | | | |\ V /  __/
 \___/|___/\___|_| |_|\___|\__| /_/   \_\_|  \___|_| |_|_| \_/ \___|
TALK: Rounded corners

TALK: Rounded corners

alt.ascii-art · 10 messages · 19 May 1994 - 25 May 1994
Bungle <phu...@csv.warwick.ac.uk> ASCII art 19 May 1994 21:17 · permalink · report
In article <2rfrt4$4h...@mercury.dur.ac.uk>,
	N M Miners <N.M...@durham.ac.uk> writes:
>I've just about got the hang of rounded corners using ASCII characters as 
>follows:
>
>Top left/right:         .od8888888bo.
>                       d8888888888888b
>
>but what can I use for the bottom left? I normally use:
>
>                       "8888888888888"
>                        `""8888888P"'
>
>which makes the bottom left-hand corner look funny.  Does anyone have any 
>suggestions?
>

'ow's about:
Top left/right:         .od8888888bo.
                       d8888888888888b

bottom left/right:

                       "8888888888888"
                        `"Y8888888P"'

I saw the great Normand Veilleux use a capital letter Y for a rounded
corner in one of his amazing pictures.  I just copied the idea.  Anyone 
do better?
--
|~\                 _   /~~~\         |\_|\_            S    ___   ___ 
| < | | |\| /~_ |  |_ (| o o |)       | =| =|           S   |}==| |=={|
|_/ |_| | | \_| |_ |_  |  o  |        | =| =\_.         S   |}==| |=={|
                        \_w_/        /,,/,,,,,,)        S   |.-.| |.-.|
                                     "O//O"O"O"O`       S   (___) (___)
Bungle's address is :        phu...@csv.warwick.ac.uk    S     U     U  

Maybe Try?

			8888888888
	                ^?888888P'
					- Lars

Bob Allison <bob...@gagme.wwa.com> ASCII art 22 May 1994 12:30 · permalink · report
In article <678...@sdcc12.ucsd.edu>,
Lars Liden <lli...@icogsci5.ucsd.edu> wrote:
>
>Maybe Try?
>
>			8888888888
>	                ^?888888P'


   I like to use * when there are two opposite slopes.  This way it looks 
symetrical.

                       8888888888
                       '*888888*'

   If there is only one slope on the right, I use a P, if there 
is one slope on the left I use a Y.

--
:::::::::                                                        ...  ...  ...
:/%%%%%%%  _____                                                 :::  :::  ::: 
/ %%_  %% ______                       ////////                  ::+  ::+  ::+ 
| %%:|__/ ___      .ooo     ____       ////#### #######\  ...... +:+  +:+  +:+ 
| %%%%%%% ___    d88*88    /__  \  _am,//## /// ###| ###| ::  :: :++  ++:  :+: 
|___   %% ___   d88  88   ___) / ,gF ,@/## //// #######/  ii  ii +++  +:+  +++ 
:/%%|  %% ___   8888888  /   _/ ,8Ew*" ## ///// ###|###\  ||  || ++#  ++#  ++# 
/ %%%%%%% ______88L  88 / /\ \  K   ,  #### /// ###| ###/ ||  || #+#  #+#  #+# 
|_______/  _____ 88  88/_/ /_/  NbpP   //////// ###| ##/  !!!!!! +###+#++#+#+# 
:::::::::                                                         ########### 

N M Miners <N.M...@durham.ac.uk> ASCII art 22 May 1994 18:50 · permalink · report
Bob Allison (bob...@gagme.wwa.com) wrote:
:    I like to use * when there are two opposite slopes.  This way it looks 
: symetrical.

:                        8888888888
:                        '*888888*'

:    If there is only one slope on the right, I use a P, if there 
: is one slope on the left I use a Y.

I think the *'s do not fit in with the general shade of the 8's - they 
make the object look darker (or lighter depending on your screeen).

Out of the many suggestions I recieved, I think I prefer the Y.  The ? 
makes the edge smooth, but again adds a 'hole' to the overall shade.

Namarie,

--
----------------------------------------------
==========-====---====----=====----========---
==========-====---====--=========--==========-
---====----====---====-====---====-====---====
---====----====---====-====---====-==========-
---====-----====-====---=========--====---====
---====-------=====-------=====----====---====
----------------------------------------------
                       N.M...@durham.ac.uk

In article <2ro9hc$2l...@mercury.dur.ac.uk>,
N M Miners  <N.M...@durham.ac.uk> wrote:
>Bob Allison (bob...@gagme.wwa.com) wrote:
>:    I like to use * when there are two opposite slopes.  This way it looks 
>: symetrical.
>
>:                        8888888888
>:                        '*888888*'
>
>:    If there is only one slope on the right, I use a P, if there 
>: is one slope on the left I use a Y.
>
>I think the *'s do not fit in with the general shade of the 8's - they 
>make the object look darker (or lighter depending on your screeen).
>
>Out of the many suggestions I recieved, I think I prefer the Y.  The ? 
>makes the edge smooth, but again adds a 'hole' to the overall shade.
>
>Namarie,
>

How bout this:
                               Y8888888888P
                                "C888888D"

Or even:
   
                               8888888888
                               `V888888V'

Oh well...just a few ideas to kick around..

Adam

-- 
 _mkendall_________________________________________________________________
[   Disarm you with a smile and leave you like you left me here. -Billy    ]
|   To whither in denial the bitterness of one who's left alone.  Corgan   |
[___...@oucsace.cs.ohiou.edu_]

Sharon M. Billi <bil...@ces.cwru.edu> ASCII art 23 May 1994 07:48 · permalink · report
iF YoU waNt To SeE yOur PrEcioUs Fi-Fi aGain, puT A tHousaNd unMarKed
BIllS in A BaG anD lEave It unDeR thE trEE iN tHe pArk.  AnD dOn'T
cAll ThE CoPs !!

:::::::::                                                        ...  ...  ...
:/%%%%%%%  _____                                                 :::  :::  ::: 
/ %%_  %% ______                       ////////                  ::+  ::+  ::+ 
| %%:|__/ ___      .ooo     ____       ////#### #######\  ...... +:+  +:+  +:+ 
| %%%%%%% ___    d88*88    /__  \  _am,//## /// ###| ###| ::  :: :++  ++:  :+: 
|___   %% ___   d88  88   ___) / ,gF ,@/## //// #######/  ii  ii +++  +:+  +++ 
:/%%|  %% ___   8888888  /   _/ ,8Ew*" ## ///// ###|###\  ||  || ++#  ++#  ++# 
/ %%%%%%% ______88L  88 / /\ \  K   ,  #### /// ###| ###/ ||  || #+#  #+#  #+# 
|_______/  _____ 88  88/_/ /_/  NbpP   //////// ###| ##/  !!!!!! +###+#++#+#+# 
:::::::::                                                         ########### 


(Well, that's what *I* thought of when I saw this sig...) :-)

Sharon

-- 
       _                                 *************************
   /\ | |     __,   ,_    __   _  _           Sharon M. Billi
  /  \|/ \   /  |  /  |  /  \_/ |/ |     bil...@alpha.ces.cwru.edu
 /(__/|   |_/\_/|_/   |_/\__/   |  |_/   *************************

	Well, the 'Y' is a symmetrical letter (I almost wrote symmetrical
molecule! Aaaa! Help meee! ;) ), so why not use it on both sides, to keep
the whole thing symmetrical? 

>                        8888888888
>                        `Y888888Y'

N M Miners <N.M...@durham.ac.uk> ASCII art 23 May 1994 10:24 · permalink · report
Feable Minded (mke...@oucsace.cs.ohiou.edu) wrote:
: How bout this:
:                                Y8888888888P
:                                 "C888888D"

: Or even:
:    
:                                8888888888
:                                `V888888V'


HEY - I like that - Nice one!

: Oh well...just a few ideas to kick around..

--
/\/\/\/\/\/\  /\/\    /\/\    /\/\/\/\   /\/\/\/\/\
\/\/\/\/\/\/  \/\/    \/\/   /\/\/\/\/\  \/\/\/\/\/\
    /\/\      /\/\    /\/\  /\/\    /\/\ /\/\   \/\/
    \/\/      \/\/    \/\/  \/\/    \/\/ \/\/   /\/\
    /\/\      /\/\    /\/\  /\/\    /\/\ /\/\/\/\/\/
    \/\/      \/\/    \/\/  \/\/    \/\/ \/\/\/\/\/\
    /\/\       \/\/\/\/\/    \/\/\/\/\/  /\/\    /\/\
    \/\/        \/\/\/\/      \/\/\/\/   \/\/    \/\/

                              N.M...@durham.ac.uk

In article <Cq8...@oucsace.cs.ohiou.edu>, mke...@oucsace.cs.ohiou.edu (Feable Minded) writes:
> How bout this:
>                                Y8888888888P
>                                 "C888888D"

 This is the best I've seen on here, not that I'm an expert or anything...

Bob Allison <bob...@gagme.wwa.com> ASCII art 25 May 1994 12:26 · permalink · report
In article <2rpn46$2h...@usenet.ins.cwru.edu>,
Sharon M. Billi <bil...@ces.cwru.edu> wrote:

[begin quoted text - quote marks removed to preserve quoted sig]

iF YoU waNt To SeE yOur PrEcioUs Fi-Fi aGain, puT A tHousaNd unMarKed
BIllS in A BaG anD lEave It unDeR thE trEE iN tHe pArk.  AnD dOn'T
cAll ThE CoPs !!

:::::::::                                                        ...  ...  ...
:/%%%%%%%  _____                                                 :::  :::  ::: 
/ %%_  %% ______                       ////////                  ::+  ::+  ::+ 
| %%:|__/ ___      .ooo     ____       ////#### #######\  ...... +:+  +:+  +:+ 
| %%%%%%% ___    d88*88    /__  \  _am,//## /// ###| ###| ::  :: :++  ++:  :+: 
|___   %% ___   d88  88   ___) / ,gF ,@/## //// #######/  ii  ii +++  +:+  +++ 
:/%%|  %% ___   8888888  /   _/ ,8Ew*" ## ///// ###|###\  ||  || ++#  ++#  ++# 
/ %%%%%%% ______88L  88 / /\ \  K   ,  #### /// ###| ###/ ||  || #+#  #+#  #+# 
|_______/  _____ 88  88/_/ /_/  NbpP   //////// ###| ##/  !!!!!! +###+#++#+#+# 
:::::::::                                                         ########### 

(Well, that's what *I* thought of when I saw this sig...) :-)

[end of quoted text]

   Ha ha ha.  That's funny.  When I made the above sig, I was looking at 
a bunch of my sigs, and had the idea to make a best of sigs sig.  So I 
took a letter from 9 of the ones I liked, and made the above sig.

   I'm glad you liked it (if indeed you did like it).  I make these sigs 
for the fun of it.  I like the lettering effects.  But I try to avoid 
bandwidth waste by only posting them ta the ASCII art groups.

--
    ____/   ___/   ___  /   ___  /   ___/   ___/   ___  /   ___  /   /  /  /
   //////  /////  ///  //  ///  //  /////  /////  ///  //  ///  //  // // //
  __  //  //     ___  //  ___ //   ___//  //     ___ //   //   //  // // //
  /  //  //     //   //  ///  //  /////  //     ///  //  //   //  // // //
____//_____//__// __//__//  __//____//_____//__//  __//______//________//
///// ////// ///  /// ///  //// ///// ////// ///   /// /////// /////////

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