Original Usenet thread from alt.ascii-art, started 19 May 1994.
TALK: Rounded corners
alt.ascii-art
· 10 messages · 19 May 1994 - 25 May 1994
In article <2rfrt4$4h...@mercury.dur.ac.uk>, N M Miners <N.M...@durham.ac.uk> writes: >I've just about got the hang of rounded corners using ASCII characters as >follows: > >Top left/right: .od8888888bo. > d8888888888888b > >but what can I use for the bottom left? I normally use: > > "8888888888888" > `""8888888P"' > >which makes the bottom left-hand corner look funny. Does anyone have any >suggestions? > 'ow's about: Top left/right: .od8888888bo. d8888888888888b bottom left/right: "8888888888888" `"Y8888888P"' I saw the great Normand Veilleux use a capital letter Y for a rounded corner in one of his amazing pictures. I just copied the idea. Anyone do better? -- |~\ _ /~~~\ |\_|\_ S ___ ___ | < | | |\| /~_ | |_ (| o o |) | =| =| S |}==| |=={| |_/ |_| | | \_| |_ |_ | o | | =| =\_. S |}==| |=={| \_w_/ /,,/,,,,,,) S |.-.| |.-.| "O//O"O"O"O` S (___) (___) Bungle's address is : phu...@csv.warwick.ac.uk S U U
Maybe Try? 8888888888 ^?888888P' - Lars
In article <678...@sdcc12.ucsd.edu>, Lars Liden <lli...@icogsci5.ucsd.edu> wrote: > >Maybe Try? > > 8888888888 > ^?888888P' I like to use * when there are two opposite slopes. This way it looks symetrical. 8888888888 '*888888*' If there is only one slope on the right, I use a P, if there is one slope on the left I use a Y. -- ::::::::: ... ... ... :/%%%%%%% _____ ::: ::: ::: / %%_ %% ______ //////// ::+ ::+ ::+ | %%:|__/ ___ .ooo ____ ////#### #######\ ...... +:+ +:+ +:+ | %%%%%%% ___ d88*88 /__ \ _am,//## /// ###| ###| :: :: :++ ++: :+: |___ %% ___ d88 88 ___) / ,gF ,@/## //// #######/ ii ii +++ +:+ +++ :/%%| %% ___ 8888888 / _/ ,8Ew*" ## ///// ###|###\ || || ++# ++# ++# / %%%%%%% ______88L 88 / /\ \ K , #### /// ###| ###/ || || #+# #+# #+# |_______/ _____ 88 88/_/ /_/ NbpP //////// ###| ##/ !!!!!! +###+#++#+#+# ::::::::: ###########
Bob Allison (bob...@gagme.wwa.com) wrote:
: I like to use * when there are two opposite slopes. This way it looks
: symetrical.
: 8888888888
: '*888888*'
: If there is only one slope on the right, I use a P, if there
: is one slope on the left I use a Y.
I think the *'s do not fit in with the general shade of the 8's - they
make the object look darker (or lighter depending on your screeen).
Out of the many suggestions I recieved, I think I prefer the Y. The ?
makes the edge smooth, but again adds a 'hole' to the overall shade.
Namarie,
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N.M...@durham.ac.uk
In article <2ro9hc$2l...@mercury.dur.ac.uk>, N M Miners <N.M...@durham.ac.uk> wrote: >Bob Allison (bob...@gagme.wwa.com) wrote: >: I like to use * when there are two opposite slopes. This way it looks >: symetrical. > >: 8888888888 >: '*888888*' > >: If there is only one slope on the right, I use a P, if there >: is one slope on the left I use a Y. > >I think the *'s do not fit in with the general shade of the 8's - they >make the object look darker (or lighter depending on your screeen). > >Out of the many suggestions I recieved, I think I prefer the Y. The ? >makes the edge smooth, but again adds a 'hole' to the overall shade. > >Namarie, > How bout this: Y8888888888P "C888888D" Or even: 8888888888 `V888888V' Oh well...just a few ideas to kick around.. Adam -- _mkendall_________________________________________________________________ [ Disarm you with a smile and leave you like you left me here. -Billy ] | To whither in denial the bitterness of one who's left alone. Corgan | [___...@oucsace.cs.ohiou.edu_]
iF YoU waNt To SeE yOur PrEcioUs Fi-Fi aGain, puT A tHousaNd unMarKed
BIllS in A BaG anD lEave It unDeR thE trEE iN tHe pArk. AnD dOn'T
cAll ThE CoPs !!
::::::::: ... ... ...
:/%%%%%%% _____ ::: ::: :::
/ %%_ %% ______ //////// ::+ ::+ ::+
| %%:|__/ ___ .ooo ____ ////#### #######\ ...... +:+ +:+ +:+
| %%%%%%% ___ d88*88 /__ \ _am,//## /// ###| ###| :: :: :++ ++: :+:
|___ %% ___ d88 88 ___) / ,gF ,@/## //// #######/ ii ii +++ +:+ +++
:/%%| %% ___ 8888888 / _/ ,8Ew*" ## ///// ###|###\ || || ++# ++# ++#
/ %%%%%%% ______88L 88 / /\ \ K , #### /// ###| ###/ || || #+# #+# #+#
|_______/ _____ 88 88/_/ /_/ NbpP //////// ###| ##/ !!!!!! +###+#++#+#+#
::::::::: ###########
(Well, that's what *I* thought of when I saw this sig...) :-)
Sharon
--
_ *************************
/\ | | __, ,_ __ _ _ Sharon M. Billi
/ \|/ \ / | / | / \_/ |/ | bil...@alpha.ces.cwru.edu
/(__/| |_/\_/|_/ |_/\__/ | |_/ *************************
Well, the 'Y' is a symmetrical letter (I almost wrote symmetrical molecule! Aaaa! Help meee! ;) ), so why not use it on both sides, to keep the whole thing symmetrical? > 8888888888 > `Y888888Y'
Feable Minded (mke...@oucsace.cs.ohiou.edu) wrote:
: How bout this:
: Y8888888888P
: "C888888D"
: Or even:
:
: 8888888888
: `V888888V'
HEY - I like that - Nice one!
: Oh well...just a few ideas to kick around..
--
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\/\/\/\/\/\/ \/\/ \/\/ /\/\/\/\/\ \/\/\/\/\/\
/\/\ /\/\ /\/\ /\/\ /\/\ /\/\ \/\/
\/\/ \/\/ \/\/ \/\/ \/\/ \/\/ /\/\
/\/\ /\/\ /\/\ /\/\ /\/\ /\/\/\/\/\/
\/\/ \/\/ \/\/ \/\/ \/\/ \/\/\/\/\/\
/\/\ \/\/\/\/\/ \/\/\/\/\/ /\/\ /\/\
\/\/ \/\/\/\/ \/\/\/\/ \/\/ \/\/
N.M...@durham.ac.uk
In article <Cq8...@oucsace.cs.ohiou.edu>, mke...@oucsace.cs.ohiou.edu (Feable Minded) writes: > How bout this: > Y8888888888P > "C888888D" This is the best I've seen on here, not that I'm an expert or anything...
In article <2rpn46$2h...@usenet.ins.cwru.edu>,
Sharon M. Billi <bil...@ces.cwru.edu> wrote:
[begin quoted text - quote marks removed to preserve quoted sig]
iF YoU waNt To SeE yOur PrEcioUs Fi-Fi aGain, puT A tHousaNd unMarKed
BIllS in A BaG anD lEave It unDeR thE trEE iN tHe pArk. AnD dOn'T
cAll ThE CoPs !!
::::::::: ... ... ...
:/%%%%%%% _____ ::: ::: :::
/ %%_ %% ______ //////// ::+ ::+ ::+
| %%:|__/ ___ .ooo ____ ////#### #######\ ...... +:+ +:+ +:+
| %%%%%%% ___ d88*88 /__ \ _am,//## /// ###| ###| :: :: :++ ++: :+:
|___ %% ___ d88 88 ___) / ,gF ,@/## //// #######/ ii ii +++ +:+ +++
:/%%| %% ___ 8888888 / _/ ,8Ew*" ## ///// ###|###\ || || ++# ++# ++#
/ %%%%%%% ______88L 88 / /\ \ K , #### /// ###| ###/ || || #+# #+# #+#
|_______/ _____ 88 88/_/ /_/ NbpP //////// ###| ##/ !!!!!! +###+#++#+#+#
::::::::: ###########
(Well, that's what *I* thought of when I saw this sig...) :-)
[end of quoted text]
Ha ha ha. That's funny. When I made the above sig, I was looking at
a bunch of my sigs, and had the idea to make a best of sigs sig. So I
took a letter from 9 of the ones I liked, and made the above sig.
I'm glad you liked it (if indeed you did like it). I make these sigs
for the fun of it. I like the lettering effects. But I try to avoid
bandwidth waste by only posting them ta the ASCII art groups.
--
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____//_____//__// __//__// __//____//_____//__// __//______//________//
///// ////// /// /// /// //// ///// ////// /// /// /////// /////////
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