Original Usenet thread from alt.ascii-art, started 7 Aug 1994.
Line: Muscial sigs
alt.ascii-art
· 10 messages · 7 Aug 1994 - 12 Aug 1994
Colin Douthwaite <Col...@equinox.gen.nz> wrote: >Gernot Hueller (hue...@gup.uni-linz.ac.at) wrote: >: Well, I just thought some of you might care. >: I have designed my mail body recently, and that's the result. I've also >: added a bass clef for those who play both-handed. > > >: --- >: ,. >: | | >: +---\/-------|-----------------------------------------------------------++ >: |---/\-------|---- STRAIGHT NO CHASER -----------------------------------|| >: |-,'.==.-----|-----------------------------------------------------------|| >: |-|-@-|-)--( )---- Gernot Hueller ------ hue...@ani.univie.ac.at -------|| >: +--`--|'-----------------------------------------------------------------++ >: q_,' > >: +-,--.-------|=.---------------------------------------------------------++ >: |-@---|-.----|---- ROUND MIDNIGHT worker --------------------------------|| >: |----,'-.--,-|-----------------------------------------------------------|| >: |--,'------`-'-----------------------------------------------------------|| >: +-'----------------------------------------------------------------------++ > > > >Very neat. Are all your lyrics sung on a single note ? Must be a >real sloooow tempo for the basses to fit all that lot into a quaver. > > > >____________|________|_______________________________________|_______ >_/~~~\______|________|_|___|\_________|______O ______|__@____|_______|| >_\_) /__4___|__O_____|_|___|__________|__@__|____|@__|_|_____|______o|| >__ /____4__@__|_____@__|___|__O.._____|_|___|____|___|_|____O.._____o|| >__'___________|________|__@__|________|_|___|____|___|_|/____________|| > Colin Douthwaite | 2nd Bass | Christchurch Liedertafel NZ > | I like muscial sigs. I've made a couple. Here's my favorite: |\ |\ |\ ____|\__|_________|\\___|___________|___|____________|\_|____________|__|__ ____|/__|________@__\|__|____O______|___|___@________|__|___|________|__|__ ___/|___|___|________|__|___|______@____|__|____@____|__|___|_______@___|__ __|_/_\_|___|_______@___|___|___________|__|___|____@___|___|___________|__ ___\|/__|___|___________|___|___________|__|___|________|__O____________|__ / O | bob...@wwa.com I understand that my music sig is technically incorrect in a musical sense. But nobody has volunteered to fix it. -- \,,,,,, \,,,, \,,,,, \,,,,,, \,,,,, \,,,, \,,,,,, \,,,,, \,, \,, \,, \,,,,,,, \,,,,, \,,,,,,, \,,,,,,, \,,,,, \,,,,, \,,,,,,, \,,,,,,, \,, \,, \,, \,, \,, \,, \,, \,, \,, \,, \,, \,, \,, \,, \,, \,, \,, \,, \,,,,,, \,, \,,,,,,, \,,,,,, \,,,, \,, \,,,,,, \,, \,, \,, \,, \,, \,,,,,, \,, \,,,,,,, \,,,,, \,,,, \,, \,,,,, \,, \,, \,, \,, \,, \,, \,, \,, \,, \,, \,, \,, \,, \,, \,, \,, \,, \,, \,, \,, \,,,,,,, \,,,,, \,, \,, \,, \,, \,,,,, \,,,,, \,, \,, \,,,,,,, \,,,,,,,,,, \,,,,,, \,,,, \,, \,, \,, \,, \,,,,, \,,,, \,, \,, \,,,,, \,,,,,,,,
--
: I like muscial sigs. I've made a couple. Here's my favorite:
:
: |\ |\ |\
: ____|\__|_________|\\___|___________|___|____________|\_|____________|__|__
: ____|/__|________@__\|__|____O______|___|___@________|__|___|________|__|__
: ___/|___|___|________|__|___|______@____|__|____@____|__|___|_______@___|__
: __|_/_\_|___|_______@___|___|___________|__|___|____@___|___|___________|__
: ___\|/__|___|___________|___|___________|__|___|________|__O____________|__
: / O | bob...@wwa.com
:
: I understand that my music sig is technically incorrect in a musical
: sense. But nobody has volunteered to fix it.
I volunteer.
|\ __3__ |
____|\_______________|\\_______________|_______'__|__`___|____|___|___________
____|/___3_|________@'_\|__|_____|_____|___|___|__|__|___|_|_@'___|___|____|__
___/|____-_|____________|__|_____|____@'___|__@'_@'_@'___|_|_____@'___|____|__
__|_/_\__4_|___|_______@'__|____O'_________|____________@'_|_________@'____|__
___\|/_____|___|___________|_______________|_______________|_______________|__
/ O' bob...@wwa.com
I added a time signature (in 3/4 time), rounded the notes with apostrophes,
made sure that there were three beats per measure, and added a triplet.
(For those who are counting, a triplet is counted as two beats)
I knew all these years in the back of a choir room would pay off.
Chris
__^__ __^__
( ___ )------------------------------------------------------( ___ )
| / | Christopher King NCSU Computing Center | \ |
| / | 208 Hillsborough Building (919)515-3035 | \ |
| / | WWW URL>http://www2.ncsu.edu/unity/users/c/chking/ | \ |
|___| "Calm down. It's only ones and zeros." -- Sam Kass |___|
(_____)--------------E-mail:chr...@ncsu.edu--------------(_____)
Since the topic is musical Sigs ... here's mine:
----|\-------------------||
| > ||
----|/--------------0----||
| 0 | ||
---/|----------|---|-----||
/ |_ | ||
-/-/|-\-----0------------||
/ \| \ | ||
|---|---\--|-------------||
\__|__/ Gregory C. Depp
| dep...@world.std.com
CHRISTOPHER HOLLAND KING <chk...@unity.ncsu.edu> took my musci sig and changed it thusly: > |\ __3__ | >____|\_______________|\\_______________|_______'__|__`___|____|___|___________ >____|/___3_|________@'_\|__|_____|_____|___|___|__|__|___|_|_@'___|___|____|__ >___/|____-_|____________|__|_____|____@'___|__@'_@'_@'___|_|_____@'___|____|__ >__|_/_\__4_|___|_______@'__|____O'_________|____________@'_|_________@'____|__ >___\|/_____|___|___________|_______________|_______________|_______________|__ > / O' bob...@wwa.com > >I added a time signature (in 3/4 time), rounded the notes with apostrophes, >made sure that there were three beats per measure, and added a triplet. >(For those who are counting, a triplet is counted as two beats) > >I knew all these years in the back of a choir room would pay off. Thanks Chris. Speaking of modified music sigs, here's one I only used once, 'cause it seemed like a dumb idea. Here it is: ...:::::::... ..:::::=====:::::.. ..:::::=========:::::.. ..:::::==== |\ ===:::::.. ..::::==== /%#| ===::::.. ..:::=== |&@/ ===::::.. ..:::=== \| ===::::.. ..:::::|\:::::.. |\ |\ ____|\__|_________|\\___|___________|___|____________|\_|____________|__|__ ____|/__|________@__\|__|____O______|___|___@________|__|___|________|__|__ ___/|___|___|________|__|___|______@____|__|____@____|__|___|_______@___|__ __|_/_\_|___|_______@___|___|___________|__|___|____@___|___|___________|__ ___\|/__|___|___________|___|___________|__|___|________|__O____________|__ / O | Now you see why I only used it once. But somebody emailed me and said they liked it a lot. How can you figure? -- /////////////////////////////////////////////////////////////////////////// //////##### //### //#### //##### //#### //### /##### ///#### //## /## /## / ////## /////## ///## /## /## /## /## ///## ///## /## /## /## /## /## /## // ////#### //## ///###### /##### //#### /## ///##### //## /## /## /## /## /// //////## /## ///## /## /## ## //## ///## ///## ## //## /## /## /## /## //// /##### ///### /## /## /## /## /#### //### /## /## //#### ///######## ////// ///////////////////////////////////////////////////////////////////////////
In article <325qr8$oj...@gagme.wwa.com> dep...@pauken.osf.org (Gregory Depp) writes: >From: dep...@pauken.osf.org (Gregory Depp) >Subject: Line: Muscial sigs >Date: 8 Aug 1994 12:43:04 -0500 >Since the topic is musical Sigs ... here's mine: >----|\-------------------|| > | > || >----|/--------------0----|| > | 0 | || >---/|----------|---|-----|| > / |_ | || >-/-/|-\-----0------------|| >/ \| \ | || >|---|---\--|-------------|| > \__|__/ Gregory C. Depp > | dep...@world.std.com Very nice...except even this one is not technicaly correct. The top crossover on the clef should be on the D line, second from the top, and the top of the bottom curve shoudld reach the B line, third from the top. The bottom of the bottom curve should be resting on the bottom, E line. Other than that, it is a very impressive treble clef...easily the best I have seen asciied. Adrian.
In article <328v18$df...@gagme.wwa.com>, roa...@halls1.cc.monash.edu.au (Adrian Graham DENT - Rodent) writes: > > In article <325qr8$oj...@gagme.wwa.com> dep...@pauken.osf.org (Gregory Depp) writes: > >From: dep...@pauken.osf.org (Gregory Depp) > >Subject: Line: Muscial sigs > >Date: 8 Aug 1994 12:43:04 -0500 > > > >Since the topic is musical Sigs ... here's mine: > > >----|\-------------------|| > > | > || > >----|/--------------0----|| > > | 0 | || > >---/|----------|---|-----|| > > / |_ | || > >-/-/|-\-----0------------|| > >/ \| \ | || > >|---|---\--|-------------|| > > \__|__/ Gregory C. Depp > > | dep...@world.std.com > > > Very nice...except even this one is not technicaly correct. The top > crossover on the clef should be on the D line, second from the top, and the > top of the bottom curve shoudld reach the B line, third from the top. The > bottom of the bottom curve should be resting on the bottom, E line. Other > than that, it is a very impressive treble clef...easily the best I have seen > asciied. > Adrian. Thanks, It's close enough for classical music ... :) BTW: I did make one modification. Since there is only one line, I redrew the notes with the stems going in the right direction. Greg ----|\--------------------|| | > || ----|/---------------0----|| | | 0 | || ---/|--------|--|---|-----|| / |_ | | | || -/-/|-\-----0---|---------|| / \| \ || |---|---\-----------------|| \__|__/ Gregory C. Depp | dep...@world.std.com
In article <328v18$df...@gagme.wwa.com>, roa...@halls1.cc.monash.edu.au (Adrian Graham DENT - Rodent) writes: |> |> |> >----|\-------------------|| |> > | > || |> >----|/--------------0----|| |> > | 0 | || |> >---/|----------|---|-----|| |> > / |_ | || |> >-/-/|-\-----0------------|| |> >/ \| \ | || |> >|---|---\--|-------------|| |> > \__|__/ Gregory C. Depp |> > | dep...@world.std.com |> |> |> Very nice...except even this one is not technicaly correct. [correction of treble clef munched] |> Other |> than that, it is a very impressive treble clef...easily the best I have seen |> asciied. |> Adrian. Well, if we're going to try for absolute correctness, we might as well put the G's stem pointing up (and on the right side, of course). *smile* --lisa, who is tempted to create a musical sig of her own. ''''''''''''''''''''''''''''' Lisa Masterman '''''''''''''''''''''''''''''''' ' WORK: SCHOOL: World-Wide Web: ' ' lma...@cs.uml.edu 95l...@cs.williams.edu http://cs.williams.edu/~95lnm ' ',,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,' ' "Horses??!" - Picard "Men don't travel well in boxes..." DON'T PANIC! ' ''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''' ' Assoc. Member, Starfleet Ladies' Auxiliary and Embroidery/Baking Society ' '''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
In article <325qqu$oj...@gagme.wwa.com> chk...@unity.ncsu.edu (CHRISTOPHER HOLLAND KING) writes: >-- >: I like muscial sigs. I've made a couple. Here's my favorite: >: [the original sig] >: >: I understand that my music sig is technically incorrect in a musical >: sense. But nobody has volunteered to fix it. >I volunteer. > |\ __3__ | >____|\_______________|\\_______________|_______'__|__`___|____|___|___________ >____|/___3_|________@'_\|__|_____|_____|___|___|__|__|___|_|_@'___|___|____|__ >___/|____-_|____________|__|_____|____@'___|__@'_@'_@'___|_|_____@'___|____|__ >__|_/_\__4_|___|_______@'__|____O'_________|____________@'_|_________@'____|__ >___\|/_____|___|___________|_______________|_______________|_______________|__ > / O' bob...@wwa.com >I added a time signature (in 3/4 time), rounded the notes with apostrophes, >made sure that there were three beats per measure, and added a triplet. >(For those who are counting, a triplet is counted as two beats) >I knew all these years in the back of a choir room would pay off. > Chris > __^__ __^__ >( ___ )------------------------------------------------------( ___ ) > | / | Christopher King NCSU Computing Center | \ | > | / | 208 Hillsborough Building (919)515-3035 | \ | > | / | WWW URL>http://www2.ncsu.edu/unity/users/c/chking/ | \ | > |___| "Calm down. It's only ones and zeros." -- Sam Kass |___| >(_____)--------------E-mail:chr...@ncsu.edu--------------(_____) Hmmm...technically correct, but is it *musical*? PS. like the pillars! ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ m...@werple.apana.org.au , , , sgo...@cfs01.cc.monash.edu.au S e a n O S e a g h d h a (muise!) 100...@compuserve.com ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
chk...@unity.ncsu.edu (CHRISTOPHER HOLLAND KING) writes: >-- >: I like muscial sigs. I've made a couple. Here's my favorite: >: >: |\ |\ |\ >: ____|\__|_________|\\___|___________|___|____________|\_|____________|__|__ >: ____|/__|________@__\|__|____O______|___|___@________|__|___|________|__|__ >: ___/|___|___|________|__|___|______@____|__|____@____|__|___|_______@___|__ >: __|_/_\_|___|_______@___|___|___________|__|___|____@___|___|___________|__ >: ___\|/__|___|___________|___|___________|__|___|________|__O____________|__ >: / O | bob...@wwa.com >: >: I understand that my music sig is technically incorrect in a musical >: sense. But nobody has volunteered to fix it. >I volunteer. > |\ __3__ | >____|\_______________|\\_______________|_______'__|__`___|____|___|___________ >____|/___3_|________@'_\|__|_____|_____|___|___|__|__|___|_|_@'___|___|____|__ >___/|____-_|____________|__|_____|____@'___|__@'_@'_@'___|_|_____@'___|____|__ >__|_/_\__4_|___|_______@'__|____O'_________|____________@'_|_________@'____|__ >___\|/_____|___|___________|_______________|_______________|_______________|__ > / O' bob...@wwa.com >I added a time signature (in 3/4 time), rounded the notes with apostrophes, >made sure that there were three beats per measure, and added a triplet. >(For those who are counting, a triplet is counted as two beats) >I knew all these years in the back of a choir room would pay off. > Chris > __^__ __^__ >( ___ )------------------------------------------------------( ___ ) > | / | Christopher King NCSU Computing Center | \ | > | / | 208 Hillsborough Building (919)515-3035 | \ | > | / | WWW URL>http://www2.ncsu.edu/unity/users/c/chking/ | \ | > |___| "Calm down. It's only ones and zeros." -- Sam Kass |___| >(_____)--------------E-mail:chr...@ncsu.edu--------------(_____) How about mixing up those stem directions a bit. I think it's a little easier to read without the apostrophes (they make the notes look dotted to me). ___ | ____|\_____/_____________________|_______________________|___________|___|___.. ____|/___ _)__________@______|___|________|______________|__|___@____|___|___|| ___/|____====____|___|_______|___|____@___|___@__@__@____|__|__|____@____|___|| __|_/_\___/|_____|___|___@___|__O____|____|__|__|__|____@___|__|________@____|| ___\|/___'-|_____|___|__|____|_______|____|__|__|__|________|__|_____________|| / | O \ | | | | | bob...@wwa.com \| `--3--' Have you heard this thing.....ouch!!-) Mike -- R. Mike Jamieson / Fluke Corporation / P.O. Box 9090 / MS 266D Everett, WA 98206-9090 USA (Fax 206-356-5108) (Tel 206-356-5637) jam...@tc.fluke.COM ...!{uw-beaver,sun,microsoft}!fluke!jamieson
In article <325qqu$oj...@gagme.wwa.com>, CHRISTOPHER HOLLAND KING <chk...@unity.ncsu.edu> wrote: >I volunteer. > > > |\ __3__ | >____|\_______________|\\_______________|_______'__|__`___|____|___|___________ >____|/___3_|________@'_\|__|_____|_____|___|___|__|__|___|_|_@'___|___|____|__ >___/|____-_|____________|__|_____|____@'___|__@'_@'_@'___|_|_____@'___|____|__ >__|_/_\__4_|___|_______@'__|____O'_________|____________@'_|_________@'____|__ >___\|/_____|___|___________|_______________|_______________|_______________|__ > / O' bob...@wwa.com > >I added a time signature (in 3/4 time), rounded the notes with apostrophes, >made sure that there were three beats per measure, and added a triplet. >(For those who are counting, a triplet is counted as two beats) > >I knew all these years in the back of a choir room would pay off. Looks like you've got a quaver triplet which is equal in length to one crotchet. Thus the remainder of the bar is a minim: |\ __3__ | ____|\_______________|\\_______________|_______'__|__`___|_____|___|__________ ____|/___3_|________@'_\|__|_____|_____|___|___|__|__|___|_|__@'___|___|___|__ ___/|____-_|____________|__|_____|____@'___|__@'_@'_@'___|_|______@'___|___|__ __|_/_\__4_|___|_______@'__|____O'_________|____________O'_|__________@'___|__ ___\|/_____|___|___________|_______________|_______________|_______________|__ / O' bob...@wwa.com The last bar also looked a bit squashed to the left so I shifted the notes 1 char to the right. Regards, Ryan. ---------------------------------------------------------------------------- Parallel lines DO meet but only incognito. Ryan Harding, Applied Optics, UKC ---------------------------------------------------------------------------- "Now no-one's sitting on the fence, whose garden will we end up sitting in?" - John Wesley Harding, "The Person You Are" from "The Name Above The Title" ----------------------------------------------------------------------------
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