Re: Line: Muscial sigs
CHRISTOPHER HOLLAND KING <chk...@unity.ncsu.edu> took my musci sig and changed it thusly: > |\ __3__ | >____|\_______________|\\_______________|_______'__|__`___|____|___|___________ >____|/___3_|________@'_\|__|_____|_____|___|___|__|__|___|_|_@'___|___|____|__ >___/|____-_|____________|__|_____|____@'___|__@'_@'_@'___|_|_____@'___|____|__ >__|_/_\__4_|___|_______@'__|____O'_________|____________@'_|_________@'____|__ >___\|/_____|___|___________|_______________|_______________|_______________|__ > / O' bob...@wwa.com > >I added a time signature (in 3/4 time), rounded the notes with apostrophes, >made sure that there were three beats per measure, and added a triplet. >(For those who are counting, a triplet is counted as two beats) > >I knew all these years in the back of a choir room would pay off. Thanks Chris. Speaking of modified music sigs, here's one I only used once, 'cause it seemed like a dumb idea. Here it is: ...:::::::... ..:::::=====:::::.. ..:::::=========:::::.. ..:::::==== |\ ===:::::.. ..::::==== /%#| ===::::.. ..:::=== |&@/ ===::::.. ..:::=== \| ===::::.. ..:::::|\:::::.. |\ |\ ____|\__|_________|\\___|___________|___|____________|\_|____________|__|__ ____|/__|________@__\|__|____O______|___|___@________|__|___|________|__|__ ___/|___|___|________|__|___|______@____|__|____@____|__|___|_______@___|__ __|_/_\_|___|_______@___|___|___________|__|___|____@___|___|___________|__ ___\|/__|___|___________|___|___________|__|___|________|__O____________|__ / O | Now you see why I only used it once. But somebody emailed me and said they liked it a lot. How can you figure? -- /////////////////////////////////////////////////////////////////////////// //////##### //### //#### //##### //#### //### /##### ///#### //## /## /## / ////## /////## ///## /## /## /## /## ///## ///## /## /## /## /## /## /## // ////#### //## ///###### /##### //#### /## ///##### //## /## /## /## /## /// //////## /## ///## /## /## ## //## ///## ///## ## //## /## /## /## /## //// /##### ///### /## /## /## /## /#### //### /## /## //#### ///######## ////// ///////////////////////////////////////////////////////////////////////////
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X-Google-Language: ENGLISH,ASCII-7-bit X-Google-Thread: fbb9d,d1152e73d3a6986f X-Google-Attributes: gidfbb9d,public X-Google-Thread: f996b,d1152e73d3a6986f X-Google-Attributes: gidf996b,public X-Google-Thread: 110f55,d1152e73d3a6986f X-Google-Attributes: gid110f55,public X-Google-ArrivalTime: 1994-08-08 10:59:20 PST Path: bga.com!news.sprintlink.net!sashimi.wwa.com!gagme.wwa.com!not-for-mail From: bob...@wwa.com (Bob Allison) Newsgroups: rec.arts.ascii,alt.ascii-art,alt.binaries.pictures.ascii Subject: Re: Line: Muscial sigs Date: 8 Aug 1994 12:58:42 -0500 Organization: WorldWide Access - Chicago Area Internet Services 312-282-8605 Lines: 50 Sender: bob...@gagme.wwa.com Approved: bob...@wwa.com Message-ID: <325roi$p2...@gagme.wwa.com> References: <31rjka$t6...@infosrv.edvz.univie.ac.at> <Col...@equinox.gen.nz> <323ic6$om...@gagme.wwa.com> <325qqu$oj...@gagme.wwa.com> NNTP-Posting-Host: gagme.wwa.com Xref: bga.com rec.arts.ascii:1120 alt.ascii-art:11003 alt.binaries.pictures.ascii:929
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