Settings

The page will reload to apply your changes.
Theme

ASCII Art Font

ASCII Art Menu

Original Usenet thread from alt.ascii-art, started 2 Dec 1998.
 _   _                     _        _             _     _           
| | | |___  ___ _ __   ___| |_     / \   _ __ ___| |__ (_)_   _____ 
| | | / __|/ _ \ '_ \ / _ \ __|   / _ \ | '__/ __| '_ \| \ \ / / _ \
| |_| \__ \  __/ | | |  __/ |_   / ___ \| | | (__| | | | |\ V /  __/
 \___/|___/\___|_| |_|\___|\__| /_/   \_\_|  \___|_| |_|_| \_/ \___|
Proposed AAA Document: Diddling Guide

Proposed AAA Document: Diddling Guide

alt.ascii-art · 5 messages · 2 Dec 1998 - 7 Dec 1998
Martin Atkins <zne...@ovtsbbg.pbz> ASCII art 2 Dec 1998 00:00 · permalink · report
        ___,      ____     __   _,  ____,  ____,  ____,    ____,  ____,
       (-|_\_,   (-/  `_, (-|  |   (-|    (-|  \ (-|_,    (-|    (-/  \
        _|  )      \___)    |__|_,  _|__,  _|__/  _|__,    _|      \__/
       (                           (      (      (        (
           ____,  ____,  ____,  ____,  __     ____,  ____,    ____
          (-|  \ (-|    (-|  \ (-|  \ (-|    (-|    (-|  |   (-/  `_,
           _|__/  _|__,  _|__/  _|__/  _|__,  _|__,  _|  |_,   \___)
          (      (      (      (      (      (      (

By Martin Atkins 10/9/98
revision 0.1

Diddling is the name given to changing/improving original ascii art posted
to the newsgroup.  The diddled picture is usually greatfully accepted by the
original artist, except in the following circumstances:

* You have removed the original credits, and maybe replaced them with your
 own.
    It is generally accepted that if you have made a considerable change to
   the picture, you may add your credits to the picture *in addition* to
   those of the original artist, in the form "jgs/hjw", for example.

* You have changed the picture for the purpose of causing offence to the
 original artist or others.
    If you want to insult someone, please do it by private email and not 
   using someone elses art to do it.  It may be construed that the original 
   artist is somehow involved in the offensive message.

* You have degraded the picture for the purpose of getting at someone.
    This is *not* welcome in alt.ascii-art, a group for the posting of ascii
   art pictures, not a group for feuds and wars.  Please refrain from
   provoking arguements by diddling someone's picture to offend them.


Diddling can be a lot of fun for many people, but it is easy for someone to
go and spoil it for everybody.
Here is a great example of how diddling can make stunning pictures that are
the product of many artists:

                                 o
                             .-:"|
                             |-'"|
                                 |   _.-'`.
                                _|-"'_.-:|.`.
                               |:^.-:_:-'`:;.`.
                               |::.'.    ,- .=:|
                               |:::+.'-'_=:". J
            __.            .d88|:+:::+=: _-, .|
       _.--'_..`.    .d88888888|:||]:|, |:J].J8b.
    +:" ,--:_:|:.`.d88888888888|-' J:| .|:J|_|888b.
    |:\ \-'_.--'_.=+888888888+'  _-K:F.+:_   `88888bo.
     L:\ +'_.=='. .|88888+"'  _.'.J:J.J:::.    +8888888b.
     |:::+'. ._. . |8+"'  _.-', . |:| |::::+_   `+8888888._-'.
   .d8J::L. ./ \\ .J' _.-: . . . ,|:|.|::::::.,   `+888+'^.-|.`.
  d888|::| . F .FL J-'. . , . , . O:F F::::::/`/_ _.-"_.-:_:+::.`.
 d88888L::L .|::\L. L. . , . . . J:J J::::::/`/::|. +:_:-'    `;+ `;
 888888J::|. K:'  \.L . , . . _:-+:|.':::::/`/:::F::.`.     .-'_.=:J
 8888888|::L.L\    \|. . ._:-'     '   `::/`/:::J:::::.`..-'.='. . |
 8888888PL:| |:\    `._:-'               /`/::::|:|| \::..='. , . J.b
 8888888 |::L L:`.    \     _.-+.       /`/`::::L+`'  |::| . . , .F88b
 8888888  L:|.|:::\   _:.--'_.-|.`.    '`/   >-'     .J:J . , . .|8888b
 8888888  |::L.L:::+:" _.--:_:-'::.`.    _.-'    :"|':|:|. . . .JY88888b
 8888888   L:| |::::|\ \_:-'     `::.`.-'    :"|-'. .J:J. . , . F Y88888b
 Y888888    \:L L:::L:\ `.      _.-'_.=+ :"|-: . , . |:| , . , |   Y88888b
 `888888b    \|.|:::|:::. \ _.-'_.=: . |-', . . , . J:J . . . J     Y88888b
  Y888888     +'\:::J::::\ '_.='. . . .F . .,-T`\. .|:|. , ,-'      )888888
   Y88888b.      \:::L::::+. . , . . .J . ,/  |:O .J:J. ,-'        .d888888
    Y888888b      \::|::::| . . . , . |. . F  ::|,-'+|-'         .d88888888
     Y888888b      \:J::::|. . . . . .F , J .::-:              .od88888888P
      Y888888b      \:L:::| . , . , .J . .|::' ` \d8888888888888888888888P
       Y888888b      \|:::|. , . . , |. ,-'`.  `\ `+88888888888888888888P
        Y888888b.     J:::| . . , . .F-'     \\ ` \ \88888888888888888P'
         Y8888888b     L::|, . . , .J       d8+.`\  \`+8888888888888P'
          Y8888888b    |::| . , . ._+      d8888\  ` .'  `Y888888P'
          `88888888b   J::|. . ._-'     .od888888\.-'
           Y88888888b   \:| ._-'     d888888888P'              ,==. o
           `888888888b   \|-'       d88888888'                 |/ "'/L
            `Y88888888b            d8888888P'                 ,-_) '<_
              Y88888888bo.      .od88888888   hs               /^-._  \=_
              `8888888888888888888888888888                    `   (-'/ ~~
               Y88888888888888888888888888P                    a:f  | \
                `Y8888888888888888888888P'                          `  `
                  `Y8888888888888P'
                       `Y88888P'

This is Henry Segerman's perspective castle. This finished product was the
product of many diddles and suggestions from a variety of artists, of which
only a:f (Andreas Freise) was credited for the horse. This is the where the
problem arisies: How much change is required before your initals can be
added? I`m afraid this is up to your own personal judgement.

--- DOCUMENT ENDS, COMENTARY BEGINS...

I wrote this a few months ago, and I finally got round to posting it. I
would welcome constructive suggestions and spelling corrections (<g>) but
not arguements about diddling. I have tried to make this document as
'personal choice' oriented as possible, as there is no way to define what is
enough change to warrent a name addition and what is a good or bad diddle.
Rewording welcome. Arguements not. In the event of arguements the document
will fall victim to the dreaded delete key.

Let me know,
-Martin
 ___________________                          ____      \
|  _______________  |              |\    /|  /         | \
| |+    /\        | |              | \  / |  |    ____/___\
| | +  /__\-"""""-| |              |  \/  |  |    |   /   \
| |  + /`.\ o o o | |             /        \_\____/  /     \
| | + /____\ ' '  | |      __-]=-' - -  ------------------------->
| |+  /. ' \ _____| |    _/             Martin Atkins
| |  /______\     | |   /         mart.atkins @ bigfoot.com
| |_______________| |\_/     http://vibes.vossnet.co.uk/i/ighaig/
|                :: |            ASCII Gallery asciiart.htm
|___________________|-------------------------------------------->  
   |_____________|
  /_______________\  Merry Christmas to All!
  |_______________|  and a happy new year too....
If you are new to the newsgroup, please read our FAQ list - 
             posted weekly and on the web at
      http://vibes.vossnet.co.uk/i/ighaig/ascfaq.htm

Henry Segerman <sjo...@sable.ox.ac.uk> ASCII art 2 Dec 1998 00:00 · permalink · report
Martin Atkins (zne...@ovtsbbg.pbz) wrote:
<snip>

: This is Henry Segerman's perspective castle. This finished product was the
: product of many diddles and suggestions from a variety of artists, of which
: only a:f (Andreas Freise) was credited for the horse. This is the where the
: problem arisies: How much change is required before your initals can be
: added? I`m afraid this is up to your own personal judgement.

: --- DOCUMENT ENDS, COMENTARY BEGINS...

: I wrote this a few months ago, and I finally got round to posting it. I
: would welcome constructive suggestions and spelling corrections (<g>) but
: not arguements about diddling. I have tried to make this document as
: 'personal choice' oriented as possible, as there is no way to define what is
: enough change to warrent a name addition and what is a good or bad diddle.
: Rewording welcome. Arguements not. In the event of arguements the document
: will fall victim to the dreaded delete key.

The 'final' version of the castle in my eyes was the one with the list at the
end of who contributed what. Yes, if someone is going to use the picture for
something they are far more likely to remove the list than to remove the 
initials, but it is something between initials added and nothing. I would
think many places, including specific ascii art sites would leave the credits
list on at the end. I havent seen any other art using a list but it seems the
most sensible way to do it to me.

Btw, I've seen a version of the castle on an ascii art site with the list
removed, but initials of people on the list added to it. I'm quite happy with
that...as long as its my initials first ;)

(that wasn't an argument was it? ...gotta be careful - wouldn't want to see
this hand crafted document mercilessly slain by the terrible delete key ;) 

--
-- 
 ,-,  Henry Segerman
 |/                
/|.--,  /\ |  /|/\,--,   ,
 |   |  \/ | / | /\  |   |
 '   `--'\/|/  | \/  `--'|/
                        /|
       uewJ363S hJu3H  `-'

Phil <ccx...@coventry.ac.uk> ASCII art 3 Dec 1998 00:00 · permalink · report
On 2 Dec 1998, Henry Segerman wrote:

--- >8 - SNIP - 8< ---

> --
> -- 
>  ,-,  Henry Segerman
>  |/                
> /|.--,  /\ |  /|/\,--,   ,
>  |   |  \/ | / | /\  |   |
>  '   `--'\/|/  | \/  `--'|/
>                         /|
>        uewJ363S hJu3H  `-'
> 
> 

Nice to see someone still using mirror writing gbgLf tLow w0i

Phil

PS What d'you reckon to the sig below?

--

  Philip Powell
    __       ,
   |  )| | ' |
   | / |/| / |
   | . | |(__|

  ll3mod d!l!Yd          
        
Philip Powell          
ccx...@coventry.ac.uk
Computing Services
Coventry University

Martin Atkins <zne...@ovtsbbg.pbz> ASCII art 6 Dec 1998 00:00 · permalink · report
.----- On 2 Dec 1998 23:02:53 GMT, Henry Segerman posted:
|
|The 'final' version of the castle in my eyes was the one with the list at the
|end of who contributed what. Yes, if someone is going to use the picture for
|something they are far more likely to remove the list than to remove the 
|initials, but it is something between initials added and nothing. I would
|think many places, including specific ascii art sites would leave the credits
|list on at the end. I havent seen any other art using a list but it seems the
|most sensible way to do it to me.
|
|Btw, I've seen a version of the castle on an ascii art site with the list
|removed, but initials of people on the list added to it. I'm quite happy with
|that...as long as its my initials first ;)
|
|(that wasn't an argument was it? ...gotta be careful - wouldn't want to see
|this hand crafted document mercilessly slain by the terrible delete key ;) 
|
'--------------------

Sorry Henry... That was ther version I had in my ascii collection. Can you
post the final version?
As for arguements... no, it wasn`t (unless someone takes offence at that,
which I really doubt!)
(I meant an arguement with someone else, not with me! I posted it for
suggestions!)

-Martin
 ___________________                          ____      \
|  _______________  |              |\    /|  /         | \
| |+    /\        | |              | \  / |  |    ____/___\
| | +  /__\-"""""-| |              |  \/  |  |    |   /   \
| |  + /`.\ o o o | |             /        \_\____/  /     \
| | + /____\ ' '  | |      __-]=-' - -  ------------------------->
| |+  /. ' \ _____| |    _/             Martin Atkins
| |  /______\     | |   /         mart.atkins @ bigfoot.com
| |_______________| |\_/     http://vibes.vossnet.co.uk/i/ighaig/
|                :: |            ASCII Gallery asciiart.htm
|___________________|-------------------------------------------->  
   |_____________|
  /_______________\  Merry Christmas to All!
  |_______________|  and a happy new year too....
If you are new to the newsgroup, please read our FAQ list - 
             posted weekly and on the web at
      http://vibes.vossnet.co.uk/i/ighaig/ascfaq.htm

Henry Segerman <sjo...@sable.ox.ac.uk> ASCII art 7 Dec 1998 00:00 · permalink · report
Martin Atkins (zne...@ovtsbbg.pbz) wrote:

: Sorry Henry... That was ther version I had in my ascii collection. Can
you
: post the final version?
: As for arguements... no, it wasn`t (unless someone takes offence at
that,
: which I really doubt!)
: (I meant an arguement with someone else, not with me! I posted it for
: suggestions!)

Oh you mean stuff like 'if you do X to the picture then you should have
you
initials on it'?

Anyway, I have 2 versions - one shaded and one not - take your pick - I
like
them both:
                                o
                            .-'"|
                            |-'"|
                                |   _.-'`.
                               _|-"'_.-'|.`.
                              |:^.-'_.-'`.;.`.
                              | `.'.   ,-'_.-'|
                              |   + '-'.-'   J
           __.            .d88| +. `.-' _-.  |
      _.--'_..`.    .d88888888| ||] |  | J] J8b.
   +:" ,--'_.|`.`.d88888888888|-' J |  | J|.|888b.
   | \ \-'_.--'_.-+888888888+'  _-F F +:    `88888bo.
    L \ +'_.--'   |88888+"'  _.' J J J  `.    +8888888b.
    |  `+'   __   |8+"'  _.-'    | | |    +    `+8888888._-'.
  .d8L  L   / \\  J' _.-'        | | |     `.,   `+888+'^.-|.`.
 d888|  |   F  FL J-'            F F F      /`/  _.-"_.-'_.+.`.`.
d88888L  L  |  \L  L            J J J      /`/ `|. +'_.-'    `_+ `;
888888J  |  K    \ L         _.-+.|.'.    /`/   F `.`.     .-'_.-"J
8888888|  L L\    \|     _.-'     '   `. /`/   J  ,_`.`..-'.-"    |
8888888PL | | \    `._.-'               /`/    | || \ `..-"      J.b
8888888 |  L L `.    \     _.-+.       /`/`.   L+`'  |  |        F88b
8888888  L | |   \   _:.--'_.-|.`.    '`/   >-'     .J J        |8888b
8888888  |  L L   +:" _.--'_.-'.`.`.    _.-'    :"|' | |       JY88888b
8888888   L | |   J \ \_.-'     `.`.`.-'    :"|-'   J J        F Y88888b
Y888888    \ L L   L \ `.      _.-'_.-+ :"|-'       | |       |  
Y88888b
`888888b    \| |   |  `. \ _.-'_.-'   |-'          J J       J    
Y88888b
 Y888888     +'\   J    \ '_.-'       F    ,-T"\   | |    .-'     
)888888
  Y88888b.      \   L    +'          J    /  | J  J J  .-'       
.d888888
   Y888888b      \  |    |           |    F  '.|.-'+|-'        
.d88888888
    Y888888b      \ J    |           F   J    -:             
.od88888888P
     Y888888b      \ L   |          J    | .' `
\d8888888888888888888888P
      Y888888b      \|   |          |  .-'`.  `\ `+88888888888888888888P
       Y888888b.     J   |          F-'     \\ ` \ \88888888888888888P'
        Y8888888b     L  |         J       d8+.`\  \`+8888888888888P'
         Y8888888b    |  |        .+      d8888\  ` .'  `Y888888P'
         `88888888b   J  |     .-'     .od888888\.-'
          Y88888888b   \ |  .-'     d888888888P'              ,==. o
          `888888888b   \|-'       d88888888'                 |/ "'/L
           `Y88888888b            d8888888P'                 ,-_) '<_
             Y88888888bo.      .od88888888   hs               /^-._  \=_
             `8888888888888888888888888888                    `   (-'/
~~
              Y88888888888888888888888888P                    a:f  | \
               `Y8888888888888888888888P'                          `  `
                 `Y8888888888888P'
                      `Y88888P'

Improvements by:

Ilmari Karonen - Tricky bit where tops of walls meet moat
Shimrod - Turret 'wells', front battlements, ladder
Veronica Karlsson - Moat and drawbridge
Jonathan Wilson - Arch entrances to turrets
Andreas Freise - Horse
                                o
                            .-'"|
                            |-'"|
                                |   _.-'`.
                               _|-"'_.-'|.`.
                              |:^.-'_.-'`.;.`.
                              |::.'.   ,-'_.-'|
                              |:::+.'-'.-: . J
           __.            .d88|:+:::+-' _-, .|
      _.--'_..`.    .d88888888|:||]:|, | J].J8b.
   +:" ,--'_.|`.`.d88888888888|-' J:| .| J|_|888b.
   |:\ \-'_.--'_.-+888888888+'  _-K:F.+:    `88888bo.
    L:\ +'_.--'. .|88888+"'  _.'.J:J.J:::.    +8888888b.
    |:::+'. ._. . |8+"'  _.-', . |:| |::::+    `+8888888._-'.
  .d8J::L. ./ \\ .J' _.-: . . . ,|:|.|::::::.,   `+888+'^.-|.`.
 d888|::| . F  FL J-'. . , . , . F:F F::::::/`/  _.-"_.-'_.+.`.`.
d88888L::L .|  \L. L. . , . . . J:J J::::::/`/::|. +'_.-'    `_+ `;
888888J::|. K    \.L . , . . _:-+:|.':::::/`/:::F::.`.     .-'_.-:J
8888888|::L.L\    \|. . ._:-'     '   `::/`/:::J:::::.`..-'.-'. . |
8888888PL:| |:\    `._:-'               /`/::::|:|| \::..-'. , . J.b
8888888 |::L L:`.    \     _.-+.       /`/`::::L+`'  |::| . . , .F88b
8888888  L:|.|:::\   _:.--'_.-|.`.    '`/   >-'     .J:J . , . .|8888b
8888888  |::L.L:::+:" _.--'_.-'.`.`.    _.-'    :"|':|:|. . . .JY88888b
8888888   L:| |::::|\ \_.-'     `.`.`.-'    :"|-'. .J:J. . , . F Y88888b
Y888888    \:L L:::L:\ `.      _.-'_.-+ :"|-: . , . |:| , . , |  
Y88888b
`888888b    \|.|:::|:::. \ _.-'_.-: . |-', . . , . J:J . . . J    
Y88888b
 Y888888     +'\:::J::::\ '_.-'. . . .F . .,-T`\. .|:|. , ,-'     
)888888
  Y88888b.      \:::L::::+. . , . . .J . ,/  |:J .J:J. ,-'       
.d888888
   Y888888b      \::|::::| . . . , . |. . F  ':|,-'+|-'        
.d88888888
    Y888888b      \:J::::|. . . . . .F , J    -:             
.od88888888P
     Y888888b      \:L:::| . , . , .J . .| .' `
\d8888888888888888888888P
      Y888888b      \|:::|. , . . , |. ,-'`.  `\ `+88888888888888888888P
       Y888888b.     J:::| . . , . .F-'     \\ ` \ \88888888888888888P'
        Y8888888b     L::|, . . , .J       d8+.`\  \`+8888888888888P'
         Y8888888b    |::| . , . ._+      d8888\  ` .'  `Y888888P'
         `88888888b   J::|. . ._-'     .od888888\.-'
          Y88888888b   \:| ._-'     d888888888P'              ,==. o
          `888888888b   \|-'       d88888888'                 |/ "'/L
           `Y88888888b            d8888888P'                 ,-_) '<_
             Y88888888bo.      .od88888888   hs               /^-._  \=_
             `8888888888888888888888888888                    `   (-'/
~~
              Y88888888888888888888888888P                    a:f  | \
               `Y8888888888888888888888P'                          `  `
                 `Y8888888888888P'
                      `Y88888P'
Improvements by:
Ilmari Karonen - Tricky bit where tops of walls meet moat
Shimrod - Turret 'wells', front battlements, ladder, shading
Veronica Karlsson - Moat and drawbridge
Jonathan Wilson - Arch entrances to turrets
Andreas Freise - Horse

--
--
 ,-,  Henry Segerman
 |/
/|.--,  /\ |  /|/\,--,   ,
 |   |  \/ | / | /\  |   |
 '   `--'\/|/  | \/  `--'|/
                        /|
       uewJ363S hJu3H  `-'

About this thread. These messages were posted publicly to the newsgroup alt.ascii-art in 1998 and are mirrored here unchanged as part of the Historic Archives – only email addresses are masked. The artwork and text belong to their original authors: if you copy a piece, keep the artist's initials or signature intact and credit them where you can. Are you one of the authors? Contact us to get your posts attributed, connected to your artist profile, or removed.

Report this message

Help us keep the archive clean and accurate. Reports are reviewed by a person – nothing is changed automatically.

Help classify this post