Settings

The page will reload to apply your changes.
Theme

ASCII Art Font

ASCII Art Menu

Original Usenet message from alt.ascii-art, 4 Feb 2010.
Re: Xpn with ascii-art group

Re: Xpn with ascii-art group

In alt.ascii-art, Daniel Berger  <jac...@yahoo.de> wrote:
> Anyone using XPN as a client? It underlines everything between _and_ for
> me. Which screws up ascii arts. Anyone knows how to turn this off?

Several clients do that. And other effects. I've never used XPN, so I
don't know how to disable it there.

*Bold* (with asterisks)
/Italics/ (with slashes)
_Underlining_ (with underscores)

ObAA: Here's a bit of practical ASCII art I did several years ago.

One of the wheels on my bike had become fairly badly warped.
Investigation revealed a broken spoke. So I called up my friend
Marc, who is much better at bike repair than I am, and talked
to him about it. 

The general theory is that the spokes alternate going to the left
and right side in the center, so when one is loose or broken the
tightly attached spokes from the other side pull the rim in that
direction.

                  _
                /' '\
                |. .|  <- Tire
                 \~/   <- Rim
                  T    <- Spoke nipples
                  |
                 .^,   <- Spokes (two, overlapping at top)
                 | |
                .| |,
                |   |
                [===]  <- Axel

Above, the wheel in cross-section. Below in profile (imagine it to
be rounded instead of straight -- I'm being lazy with the ascii-art).

Key:     !   nipple of broken spoke
         T   nipple of incidental spoke
         7   nipple of spoke to tighten
         Y   nipple of spoke to loosen

  #^#^#^#^#^#^#^#^#^#^#^#^#^#^#^#^#^#^#^#^#^#^#^#^#^#^#
                    INFLATE TO 85 PSI
  _____________________________________________________
   T    Y    7    Y    7    !    7    Y    7    Y    T
   |    |    |    |    |    |    |    |    |    |    |
   |    |    |    |    |    |    |    |    |    |    |
       (a)  (b)  (c)  (d)       (d)  (c)  (b)  (a)

  a: loosen a very little
  b: tighten a little
  c: loosen a little
  b: tighten most           (1/2 turn or so)

All fine in theory, in practice it is easy to lose track of
whether clockwise or counterclockwise is tightening, and what
needs to be done to what spoke. Marc told me that he had never
successfully 'trued' a wheel himself. He always made things
worse. 

I managed to keep myself from being confused by using a Sharpie
(permanent felt tip marker) to note on the rim what needed to be
done for each spoke. So after about twenty minutes of planning
and work my wheel is a lot more balanced.

Elijah
------
finds sharpies indispensible

Original message headers
X-Google-Thread: 13235db79e,920ee30987089f7e
X-Google-Attributes: gid13235db79e,public,usenet
X-Google-NewGroupId: yes
X-Google-Language: ENGLISH,ASCII-7-bit
Path: g2news1.google.com!news2.google.com!border1.nntp.dca.giganews.com!nntp.giganews.com!news-out.readnews.com!news-xxxfer.readnews.com!panix!qz!not-for-mail
From: Eli the Bearded <*@eli.users.panix.com>
Newsgroups: alt.ascii-art
Subject: Re: Xpn with ascii-art group
Date: Thu, 4 Feb 2010 07:15:57 +0000 (UTC)
Organization: Some absurd concept
Lines: 70
Message-ID: <eli$100...@qz.little-neck.ny.us>
References: <hkcchv$j9q$02$1...@news.t-online.com>
NNTP-Posting-Host: panix5.panix.com
X-Trace: reader2.panix.com 1265267757 11757 166.84.1.5 (4 Feb 2010 07:15:57 GMT)
X-Complaints-To: abu...@panix.com
NNTP-Posting-Date: Thu, 4 Feb 2010 07:15:57 +0000 (UTC)
X-Liz: It's actually happened, the entire Internet is a massive game of Redcode
X-Motto: "Erosion of rights never seems to reverse itself." -- kenny@panix
X-US-Congress: Moronic Fucks.
X-Attribution: EtB
Encrypted: double rot-13
User-Agent: Vectrex rn 2.1 (beta)
X-Comments: "(Welcome to the desert of the real.)" -- eck@panix
	    "... terrorism is open-source war ..." -- srini@unamerican
Xref: g2news1.google.com alt.ascii-art:1446
About this message. This message was posted publicly to the newsgroup alt.ascii-art in 2010 and is mirrored here unchanged as part of the Historic Archives – only email addresses are masked. The artwork and text belong to their original authors: if you copy a piece, keep the artist's initials or signature intact and credit them where you can. Are you the author? Contact us to get your posts attributed, connected to your artist profile, or removed.

Report this message

Help us keep the archive clean and accurate. Reports are reviewed by a person – nothing is changed automatically.

Help classify this post